A spectacular British film, brilliant performances, and a script that is worth its weight in gold.
From director Tom Hooper, comes this wonderful film about the royal ascension of King George VI and his struggle to overcome a speech impediment. Set during the 1930s, the timeline of the film is the passing of King George V, the short, but dramatic, reign of King Edward VIII, Hitler's rise to power in Germany, and the coming of World War II. Albert, known to his family as Bertie, is a decorated Naval officer, with a devoted wife and two beautiful children, his life enters turmoil when it becomes likely that he will have to replace his brother as the Monarch of Britain and the Empire. His problem is a stammer which he has owned since a young age, making him an unfit choice for a King, as his duties would include a lot of public speaking, in particular over the wireless radio. Having exhausted the dozens of recommendations for speech therapists, Albert's wife Elizabeth approaches an unorthodox, yet reputed, speech therapist called Lionel Logue of Harley Street.
The beginnings of the relationship between Lionel and Albert are tense to say the least, given Bertie's lack of enthusiasm and quick temper. However, a friendship blooms between these troubled Englishmen, and they begin to find a source of strength in each other.
An amazing British film, with a superb cast. Colin Firth is sensational as Prince Albert, producing a performance that is sympathetic, elegant, and devastating all at the same time. Helena Bonham-Carter gives a weighty foundation to the film as Elizabeth, with an understated excellence. The most impressive performance, however, is Geoffrey Rush as Lionel Logue, a truly captivating essence emanates from his character, and his delivery is impeccable. The script is witty, sharp, entertaining, and poignant, driving the intimate scenes through like a world-class play. The camera work is original and subtle, allowing for a realistic glimpse into this world without detracting from the drama, in particular, the close up shots of Firth and Rush are done with an elegant taste having them sit close but to the side of the shot. Musically, the film is brilliant, with lots of enigmatic classical tunes flowing from scene to scene, rising the tension when needed.
Some of the story seems to drift away from the main plot from time to time, seemingly trying to fit in all the important historical events. Viewers may find themselves wanting the speech therapy scenes to return, however, these elements are important, if only to add tension for the climax of the film.
A truly wondrous addition to this year's cinema listings, from an excellent British source.
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