The Master

“Masterful Manipulation”

Philip Seymour Hoffman and Joaquin Phoenix give the performances of their careers, in this outstanding outing from esteemed director Paul Thomas Anderson.

Unfairly dubbed as the “scientology” movie, The Master is loosely based on that controversial cult’s founder, Lancaster Dodd (Hoffman) aka The Master - a charismatic and manipulative orator of The Cause. Phoenix plays Freddie, a veteran sailor who struggles to re-enter civilized society after returning home, instead spending his days inebriated and causing havoc. During one of his benders, he finds himself on a boat with The Master, and soon seeks out his salvation.

Anderson directs this fascinating character piece with a sophisticated surrealism, veering into an unnatural shot style that creates a disturbing atmosphere. Moments of scripted stand-offs between Hoffman’s intellectual lectures and Phoenix’s slurred ramblings are intense and gripping, delving into the complicated nature of their relationship - at one time father/son another teacher/student.

Tone and setting are authentically subtle, with minor references to time and space, whilst allowing the enduring themes to keep the film relevant. Arguably, the film’s proclivity for quick cuts and stops make the storytelling frustrating, however, anyone in-tune with Anderson’s There Will Be Blood will already be used to this style, and will revel in it.

Whilst Anderson’s filmmaking is undoubtedly incredible, The Master finds its strength in its two central performers. Hoffman and Phoenix engage in a fierce battle of wits and emotions that makes the film one of the best in recent years.