J. J. Abrams directs this science-fiction thriller set during the 1970s in small town America, where a group of kids witness a train crash and capture it on their super 8 camera.
With Steven Spielberg attached to this film as a producer, it is hard not to make the comparison’s between Super 8 and a film like E.T. Indeed, there are some obvious similarities, such as: the nostalgic sentiment of suburban America, the revelation of the paranormal to a group of youths, and the innocence of childhood pitted against the jadedness of adulthood.
Where Super 8 becomes a film in its own right, due most likely to the input of Lost director Abrams, is the thriller aspects which make the movie jumpy and creepy. Also, there is a more adult tone in this film (begging the question: how were they allowed to release it with a 12a certificate?) which is shown in the foul language which the kids use, the drug use by one of the exterior characters, and the gore which arises in some scenes.
The film, however, is an excellent piece of cinematic majesty. Immense colour is used to recreate the era, which gives the film a nostalgic tone throughout, making this feel like a childhood memory. Also, Abrams utilizes some fluid camera motion in order to make the story smoother, and the scene where the train crashes (reminiscent of the opening sequence of Lost) is breathtaking.
Child actors, usually a thorn in my side, here are actually very bearable, providing for most of the comedic aspects, they also give the movie some touching sentiment and despair. In particular, the character of Charles (Riley Griffiths) whose larger-than-life persona mixed with an artistic rage makes him extremely engaging.
Overall, a great film for wistful viewers wanting to lose themselves in a rosier past. The story compels throughout, and Abrams’ direction maintains his reputation for being creatively intelligent and brave, who is able to expertly fuse sci-fi, action, adventure, and horror elements into a cohesive and entertaining plot.
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